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Tekentunnel selected 25 works to be exhibited in the Sint-Anna voetgangerstunnel in Antwerp.
(tin, wood, glass)
Keys and keyholes, a motif that has recurred for many years in my drawings, thoughts and works. During the COVID quarantine period, I sculpted one key every evening. Each shape represented a possible option, a path, an attempt at an answer, a solution.
The more keys I made, the more questions arose. For every answer a new uncertainty, for every keyhole a key. Three years later, the plasticine keys began to deteriorate. In order not to lose them, they were cast in tin: an attempt to preserve doubt.
Collected in a glass vitrine, they form a silent testimony to the act of searching — fixed doubt, an ode to seeking.
Commisioned by Kunstenpunt.
Baguette doorhandle for a bio bakery.
(textile, paint)
I made a big banner for Antwerp Queer Choir. It formed the scenography for RAGE/RAVE a musical performance about queerness, protest and celebration.
Greasy horses is a low key biking group addressing female, trans, non-binary and gender-fluid people. We organise picnics and protests.
Buitenshuis netwerk invited me to make an artistic contribution to their yearly zine.
The zines focus on one question: How can we make culture and art radically accessible, democratic and distributed for everyone?
The Ways We Are it (TWWAI) is a multidisciplinary project by filmmaker Alice Brunnquell and visual artist Pierre Corric. During a 6 month residency in New York they produced a film and show .